Considering its ubiquitous popularity, I will presume that you have already read the work (or at least can find the text elsewhere) and will not attempt to reproduce said lines here. Instead, let us take into consideration where Mr. Moore found his inspiration for the jolly old elf, depicted above in an early illustration.
Can it be mere coincidence that the 1821 (just a year before Mr. Moore's poem was reportedly written, though it was not published until 1823) edition of Washington Irving's History of New-York from the Beginning of the World to the End of the Dutch Dynasty by Dietrich Knickerbocker, in which St. Nicholas (Irving's designated patron saint of New York) is described as:
. . . equipped with a low, broad-brimmed hat, a huge pair of Flemish trunk-hose, and a pipe that reached to the end of the bowsprit.
. . . riding over the tops of trees in that self-same wagon wherein he brings his yearly presents to children . . . And he lit his pipe by the fire, and sat himself down and smoked; and as he smoked, the smoke from his pipe ascended into the air and spread like a cloud overhead. . . . And when St. Nicholas had smoked his pipe, he twisted it in his hat-band, and laying his finger beside his nose, gave the astonished Van Kortlandt a very significant look; then, mounting his wagon, he returned over the tree-tops and disappeared.
And a few pages later, the same book expands further on the predilections of St. Nicholas:
At this early period was instituted that pious ceremony, still religiously observed in all our ancient families of the right breed, of hanging up a stocking in the chimney on St. Nicholas eve; which stocking is always found in the morning miraculously filled; for the good St. Nicholas has ever been a great giver of gifts, particularly to children.
We are told, in the sylvan days of New Amsterdam, the good St. Nicholas would often make his appearance in his beloved city, of a holiday afternoon, riding jollily among the tree-tops, or over the roofs of the houses, now and then drawing forth magnificent presents from his breeches-pockets, and dropping them down the chimneys of his favorites. Whereas, in these degenerate days of iron and brass, he never shows us the light of his countenance, nor ever visits us, save one night in the year, when he rattles down the chimneys of the descendants of patriarchs, confining his presents to children, in token of the degeneracy of the parents.
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